Loving Vincent is a painted animated film based on 120 of Van Gogh’s paintings. Every frame of the film was handpainted by over 124 artists who created more than 65,000 paintings. The exhibition, held at Het Noordbrabants Museum in ’s-Hertogenbosch, Holland provided a delightful insight into the making of such an ambitious film.
Below is a selection of paintings on canvas complete with registration marks, frame number and production comments.
A close up detail shows how thick the paint was applied on some of the paintings, in the style of Van Gogh.
The exhibition included a 3D mindmap illustrating the thought processes behind the making of the film, from the initial resources used to the script writing and music choices, plus what ended up on the cutting room floor.
How did Vincent Van Gogh die? The film looks at the investigation following his death. The mystery board below shows the possible suspects and how how they’re stories connected.
For more information visit – http://www.routevangogheurope.eu/news/228-exhibition-loving-vincent-at-noordbrabants-museum
I visited the National Gallery in London this week to see the tapestry triptych designed by Chris Ofili, called ‘Caged Bird’s Song’. Wow! I had watched the documentary on the BBC about the background to the tapestry commission and how it had been made and I still couldn’t believe what I was seeing. The ability to produce a tapestry that captured the effect of a watercolour painting was amazing to see.
Looking close-up at the caged bird, the effect was stunning; the varying hues and blends of colour created a real illusion of light and movement.
Woven at Dovecote Tapestry Studio, Edinburgh, a team of 10 weavers had spent two and a half years hand-weaving the tapestry. On display at the National Gallery in London from April to August it will be on permanent display at Clothworkers’ Hall.
Poppies:WAVE installation is one of two installations on tour around the UK in 2017 as part of the 14-18 NOW WW1 centenary art commissions.
Following on from the installation: Blood Swept Lands and Seas of Red at the Tower of London in 2014, artist Paul Cummins and designer Tom Piper have now created Wave and Weeping Window.
Shoeburyness is one of only two locations where the Poppies:WAVE installation can be viewed with a backdrop of the sea. The location was chosen as Southend-on-sea saw one of the first air-raid attacks on the UK during WW1 and Shoebury Garrison played an important role in the design and testing of artillery guns.
Wave and Weeping Window are made up of thousands of hand made ceramic red poppies. The tour in 2017 includes Derby, Belfast, Cardiff, Hull and Plymouth.
Poppies:WAVE is at Barge Pier, Gunners Park, Shoeburyness, Southend-on-sea and will be on display from 12th April to 25th June 2017. For more information go to www.1418NOW.org.uk/poppies