Dunham Massey, in Cheshire, is an Elizabethan country house and deer park that is now run by the National Trust.
An old watermill in the grounds has recently been restored and opened to the public.
The leaves on the trees were just beginning to turn as autumn approaches.
One of the old trees lying on the ground had a very striking bark pattern.
The Motor House
When the 9th Earl of Stamford took possession of Dunham Massey in 1905 he instructed the conversion of the stables into a ‘motor house’. At the time only 16,000 cars were registered in the country and motoring was a hobby enjoyed only by the wealthy.
The Morris Ten-Four on display was a 1935 model, owned by Roger Grey, 10th Earl of Stamford.
The stables were sympathetically remodelled to retain many of the original features and character of the buildings. I particularly liked the texture of the brick wall…
…and the beautiful high timber-framed ceiling.
I visited the National Gallery in London this week to see the tapestry triptych designed by Chris Ofili, called ‘Caged Bird’s Song’. Wow! I had watched the documentary on the BBC about the background to the tapestry commission and how it had been made and I still couldn’t believe what I was seeing. The ability to produce a tapestry that captured the effect of a watercolour painting was amazing to see.
Looking close-up at the caged bird, the effect was stunning; the varying hues and blends of colour created a real illusion of light and movement.
Woven at Dovecote Tapestry Studio, Edinburgh, a team of 10 weavers had spent two and a half years hand-weaving the tapestry. On display at the National Gallery in London from April to August it will be on permanent display at Clothworkers’ Hall.
Poppies:WAVE installation is one of two installations on tour around the UK in 2017 as part of the 14-18 NOW WW1 centenary art commissions.
Following on from the installation: Blood Swept Lands and Seas of Red at the Tower of London in 2014, artist Paul Cummins and designer Tom Piper have now created Wave and Weeping Window.
Shoeburyness is one of only two locations where the Poppies:WAVE installation can be viewed with a backdrop of the sea. The location was chosen as Southend-on-sea saw one of the first air-raid attacks on the UK during WW1 and Shoebury Garrison played an important role in the design and testing of artillery guns.
Wave and Weeping Window are made up of thousands of hand made ceramic red poppies. The tour in 2017 includes Derby, Belfast, Cardiff, Hull and Plymouth.
Poppies:WAVE is at Barge Pier, Gunners Park, Shoeburyness, Southend-on-sea and will be on display from 12th April to 25th June 2017. For more information go to www.1418NOW.org.uk/poppies